{"id":11854,"date":"2022-03-16T09:50:00","date_gmt":"2022-03-16T08:50:00","guid":{"rendered":"https:\/\/speakart.it\/what-we-know-is-a-drop-what-we-dont-know-is-an-oceanphilosophicalwednesday20\/"},"modified":"2022-03-16T09:50:01","modified_gmt":"2022-03-16T08:50:01","slug":"what-we-know-is-a-drop-what-we-dont-know-is-an-oceanphilosophicalwednesday20","status":"publish","type":"post","link":"https:\/\/www.speakart.it\/en\/what-we-know-is-a-drop-what-we-dont-know-is-an-oceanphilosophicalwednesday20\/","title":{"rendered":"\u201cWhat we know is a drop, what we don&#8217;t know is an ocean\u201d<br>#PhilosophicalWednesday#20"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; _builder_version=&#8221;4.5.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; hover_enabled=&#8221;0&#8243; next_background_color=&#8221;#000000&#8243;][et_pb_row _builder_version=&#8221;4.5.0&#8243; _module_preset=&#8221;default&#8221; 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header_5_text_shadow_vertical_length=&#8221;header_5_text_shadow_style,%91object Object%93&#8243; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength=&#8221;header_5_text_shadow_style,%91object Object%93&#8243; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length=&#8221;header_6_text_shadow_style,%91object Object%93&#8243; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length=&#8221;header_6_text_shadow_style,%91object Object%93&#8243; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength=&#8221;header_6_text_shadow_style,%91object Object%93&#8243; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>There are some contemporary painters who have a great expressive strength \u2010 capable of \u201cfeeling\u201d landscape so personally than scenery is not only a source of inspiration, but is the chosen place for self\u2010 transposal.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_11847\" style=\"width: 1162px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11847\" class=\"size-full wp-image-11847\" src=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img2-7.jpg\" alt=\"\" width=\"1152\" height=\"725\" srcset=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img2-7.jpg 1152w, https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img2-7-980x617.jpg 980w, https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img2-7-480x302.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1152px, 100vw\" \/><p id=\"caption-attachment-11847\" class=\"wp-caption-text\">Davide Battistin, L&#8217;heure bleu, 2021, oil on canvas, cm 120&#215;77 &#8211; Courtesy of Linea d\u2019Acqua<\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Certainly, an emblematic author is Davide Battistin (Venice, 1970), whose representations of Venice are immediately recognizable due to the suffused atmosphere and the captivating depiction of arcane moonlight permeating Venetian lagoon and the city skyline.<\/p>\n<p>Venice panoramas are barely outlined, but seem to vibrate and expand as a whole in the natural environment which \u201cbreathes\u201d together with houses, churches and boats like a single organism. In his vistas, Battistin depicts a city which IS its lagoon and whose life depends on its delicate dynamics.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_11851\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11851\" class=\"size-full wp-image-11851\" src=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img4-6.jpg\" alt=\"\" width=\"900\" height=\"1132\" srcset=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img4-6.jpg 900w, https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img4-6-480x604.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 900px, 100vw\" \/><p id=\"caption-attachment-11851\" class=\"wp-caption-text\">Davide Battistin, Underwater, 2021, oil on canvas, cm 150&#215;119 &#8211; Courtesy of Linea d\u2019Acqua<\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>His marine landscapes, painted on large\u2010size canvasses, are immersions in different shades of blue and project the observer onto twilight moments. The total experience of landscape, if possible, is even more emphasized when the artist\u2019s point of view is underwater. In a way, here the narrative of a sunken world comes up: what is visible is only the keel of a boat, but what is perceivable is the amplification of a moment of passage and suspension. The mutability of time before dawn changes from one minute to the next and is skillfully expressed in the canvas through the use of oil colours where light is treated as an autonomous entity. The progressive rarefaction, obtained with subtle and evanescent brush strokes, is so comforting to reassure like a background light music.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_11845\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11845\" class=\"size-full wp-image-11845\" src=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img1.jpeg\" alt=\"\" width=\"800\" height=\"1199\" srcset=\"https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img1.jpeg 800w, https:\/\/www.speakart.it\/wp-content\/uploads\/2022\/03\/Img1-480x719.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 800px, 100vw\" \/><p id=\"caption-attachment-11845\" class=\"wp-caption-text\">Davide Battistin in his own atelier in Venice &#8211; Courtesy of Linea d\u2019Acqua<\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Battistin\u2019s works convey the miracle of an impossible timeless city which lies in travellers\u2019 and wayfarers\u2019 memory or in the desire of who have never lived in it yet.<\/p>\n<p>An imaginatively unreasonable city which looks at itself in the mirror of its own lagoon and caresses sublime strings.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.5.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.5.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_button button_text=&#8221;Back to news&#8221; _builder_version=&#8221;4.5.0&#8243; _module_preset=&#8221;default&#8221; button_alignment=&#8221;center&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#ffffff&#8221; button_bg_color=&#8221;#e72b78&#8243; button_bg_enable_color=&#8221;on&#8221; button_bg_color__hover_enabled=&#8221;on|desktop&#8221; hover_enabled=&#8221;0&#8243; button_bg_color__hover=&#8221;#50535a&#8221; button_bg_enable_color__hover=&#8221;on&#8221; button_border_width=&#8221;0px&#8221; button_icon=&#8221;%%20%%&#8221; button_on_hover=&#8221;off&#8221; button_font=&#8221;|700||on|||||&#8221; custom_padding=&#8221;10px|30px|10px|20px|true|false&#8221; button_url=&#8221;https:\/\/www.speakart.it\/en\/blog\/&#8221; button_text_shadow_horizontal_length=&#8221;button_text_shadow_style,%91object Object%93&#8243; button_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; button_text_shadow_vertical_length=&#8221;button_text_shadow_style,%91object Object%93&#8243; button_text_shadow_vertical_length_tablet=&#8221;0px&#8221; button_text_shadow_blur_strength=&#8221;button_text_shadow_style,%91object Object%93&#8243; button_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are some contemporary painters who have a great expressive strength \u2010 capable of \u201cfeeling\u201d landscape so personally than scenery is not only a source of inspiration, but is the chosen place for self\u2010 transposal. &nbsp; &nbsp; Certainly, an emblematic author is Davide Battistin (Venice, 1970), whose representations of Venice are immediately recognizable due to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11850,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[35],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - 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